One of the most important skills any writer can have— at least if you’re in any way fond of being published (and even getting paid!)—is the ability to sell a frantically busy editor on what you want to write, why it’s important and timely, and why you are the only one who can write it.
We’ll delve into: * What makes a compelling story and point of view * How and where to come up with good story ideas * What kinds of publications are covering the kinds of things I want to write about? Do any of them pay? Where do I start? * All the different shapes your story may take: previews, profiles, Q&As, reviews * What to include in your pitch, and what you can leave out * How to pitch and editor you've never contacted before * Establishing a rapport with your editor and building your portfolio * Dealing with rejection (and why you should keep at it) * What to do once you get the green light
Students will see examples of real-life pitches that our instructor landed, to get a sense of how a pitch is built and how editors respond. Then they’ll get practice brainstorming ideas, honing in on what the unique angle is, and then finally crafting that irresistible pitch.
