This workshop is an introduction to positions in the theatre outside of acting, directing, designing and playwriting. We all know it takes more than just the actors on stage to bring a show to life. Navigating the world of theater post-graduation can feel overwhelming, but knowing that there are
One of the most important skills any writer can have— at least if you’re in any way fond of being published (and even getting paid!)—is the ability to sell a frantically busy editor on what you want to write, why it’s important and timely, and why you are the only one who can write it.
We’ll delve into: * What makes a compelling story and point of view * How and where to come up with good story ideas * What kinds of publications are covering the kinds of things I want to write about? Do any of them pay? Where do I start? * All the different shapes your story may take: previews, profiles, Q&As, reviews * What to include in your pitch, and what you can leave out * How to pitch and editor you've never contacted before * Establishing a rapport with your editor and building your portfolio * Dealing with rejection (and why you should keep at it) * What to do once you get the green light
Students will see examples of real-life pitches that our instructor landed, to get a sense of how a pitch is built and how editors respond. Then they’ll get practice brainstorming ideas, honing in on what the unique angle is, and then finally crafting that irresistible pitch.
